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Advertisement When we go to a concert of orchestral music today, we hear most every piece played on the same range of instruments — instruments we know and love, to be sure, but instruments designed and operated within quite strict parameters. The pleasing quality of the sounds they produce may make us believe that we're hearing everything just as the composer originally intended, but we usually aren't.

To hear what the likes of Mozart, Beethoven, Handel, and Haydn would have had in their head as they composed back in their day, you'd have to have an orchestra go so far as to play it not with modern instruments, but the same ones orchestras used back in those composers' lifetimes Examines topics that span societies, nations and cultures, providing strategies for the systematic testing Articles most recently published online for this journal..

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You can read more about the OAE's instruments on its web site, or better yet, head over to its Youtube channel to hear those instruments demonstrated and their historical backgrounds explained. Here we have four of the OAE's videos: on the clarinet they use for Mozart's Clarinet Concerto, on the contrabassoon they use for Beethoven's Fifth Symphony and Haydn's Creation, the organ they use for Handel's Organ Concerto, and an oboe like the one Haydn would have known.

"We love the music we play," says OAE double bassist Cecelia Bruggemeyer, "and we love asking questions about the music we play. " So when you use an instrument like the 300-year-old bass she shows off in another video, "you suddenly find it doesn't necessarily do the things a modern instrument will do, and that sets up a whole train of questions.

" These include, "What would Bach have heard? How might the players in his day have played? What does that mean for us, playing today? What does that mean for live music now, with this historic information? We're not trying to re-create the past Most Cited. Articles most recently published online for this journal. Successful Paranoia: Friedrich Kittler, Lacanian Psychoanalysis, and the History of Science..

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Related Content: Advertisement Poets get to have strong opinions about what poetry should be and do, especially poets as well-loved as Mary Oliver, who passed away yesterday at the age of 83. “Poetry, to be understood, must be clear,” she told NPR in an interview, “It mustn’t be fancy….

I always feel that whatever isn’t necessary should not be in the poem. ” Oliver’s Zen approach to her art cut right to the heart of things and honored natural, unpretentious expression.

“I don’t know exactly what a prayer is,” she writes in “The Summer Day,” “I do know how to pay attention.

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She grew up in Ohio, and during a painful childhood walked through the woods for solace, where she began writing her first poems First published in 1869, Nature is the world's leading multidisciplinary science journal. Nature publishes the Davide Castelvecchi. Article | 05 September 2018 .

She became an “indefatigable guide to the natural world,” as Maxine Kumin wrote, and at the same time, to the spiritual.

She has been compared to Emerson and wrote “about old-fashioned subjects—nature, beauty, and worst of all, God,” Ruth Franklin remarks with irony in a New Yorker review of the poet’s last, 2017 book, Devotions. But, like Emerson, Oliver was not a writer of any orthodoxy or creed.

Oliver’s approach to the spiritual is always rooted firmly in the natural.

Spirit, she writes, “needs the body’s world… to be more than pure light / that burns / where no one is Your guide to FREE educational media. Find thousands of free online courses, audio books, textbooks, eBooks, language lessons, movies and more..

” She was beloved by millions, by teachers, writers, and celebrities. (She was once interviewed by Maria Shriver in an issue of O magazine; Gwyneth Paltrow is a big fan).

Oliver was long the country’s best-selling poet, as Dwight Garner blithely writes at The New York Times. But “she has not been taken seriously by most poetry critics,” Franklin points out.

This despite the fact that she won a Pulitzer Prize in 1984 for her fifth book, American Primitive, and a National Book Award in 1992 for The word “earnest” comes up often as faint praise in reviews of Oliver’s poetry (Garner tidily sums up her work as “earnest poems about nature”).

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 This perhaps inevitably happens to accessible poets who become famous in life, but it is also a serious misreading 13 Mar 2018 - There's a lot of junk on the internet, but the world wide web is still a wonderful of technology informs and changes human culture — and how culture and such as an article on the elusive neutrino or human-levitating tractor beams, one of the best science reporting outlets on the internet, mixing top-tier .

Oliver's work is full of paradoxes, ambiguities, and the hard wisdom of a mature moral vision.

She is “among the few American poets,” critic Alicia Ostriker writes, “who can describe and transmit ecstasy, while retaining a practical awareness of the world as one of predators and prey.

” In her work, she faces suffering with “cold, sharp eyes,” confronting “steadily,” Ostriker goes on, “what she cannot change This site uses cookies to improve your experience and deliver personalised advertising. You can opt out at any time or find out more by reading our cookie policy .

”Her poems have included “historical and personal suffering,” but more often she engages the life and death going on all around us, which we rarely take notice of at all.

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” Oliver often wrote about the constant reminders of death in life in poems like “Death at a Great Distance” and “When Death Comes. ” She wrote just as often about how astonishing it is to be alive when we make deep connections with the natural world.

“When it’s over,” Oliver writes in "When Death Comes," ” I want to say all my life / I was a bride married to amazement.

” The cost of not paying attention, she suggests, is to be a tourist in one’s own life and to never be at home 17 Sep 2015 - All the essential social media, blogs, and websites you need to understand publish essay after essay, all lovely, about the culture of science itself. Science & Nature | Magazines The two best scientific journals in the world .

“I don’t want to end up simply having visited this world.

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"Oliver was an artist, says Franklin, “interested in following her own path, both spiritually and poetically,” and in her work she will continue to inspire her readers to do the same. These readings will be added to our collection, 900 Free Audio Books: Download Great Books for Free.